Summer 2025
Myriam Bahaffou

“To Fuck Like Animals”— Race, animals, desire: what we can expect from vegan ecofeminism today

Michela de Mattei, True Believers See More Patterns, 2024
Ongoing video archive of thylacine sightings
Video still, 18΄ 42΄΄ (in progress)
Courtesy of the artist

Other-than-human animals1 have always been used to justify just about any order of domination: from alpha males in chimpanzee societies to rapist ducks and hierarchical colonies of bees, the appeal to nature fallacy is one of the favourite reasoning modes of colonial, ableist, and patriarchal discourse.2 Recently, the supposedly universal sexual behaviour of animals (such as the imperative of reproduction, sexual dysmorphia, or monogamy) has been used as a foundation of sexual difference, gender binarity, and patriarchal domination; queer and trans bodies are therefore depicted as inherently ‘against nature.’

Virility, in this perspective, has been constantly reaffirmed and performed through the repeated staging of gender-based performances of animals by humans, such as cockfighting, dogfighting, and bullfighting. This allegiance to a ‘natural’ animal order is also evident in the resurgence of the term ‘alpha male’ in the discourses of self-proclaimed pack leaders in conservative/right-wing political spaces. What kind of straightening programme are we being offered here when animals are supposed to serve as an excuse for domination and hierarchical identities?3

Britta Marakatt-Labba, The Crows, 2021
Embroidery and appliqué on linen
62 x 133 cm
Photo: Hans Olof Utsi
Courtesy of the artist

  

Sex, animals, and colonial discourse

The expression “to fuck like animals” seems to contradicts the appeal to nature stance, but it is paradoxically a big part of the patriarchal discourse produced on animals and animality. What this expression immediately implies is that “animal fucking” is a mechanical, non-conscious form of mating, performed without shame or sacredness; in other words, a savage act. By extension, humans who “fuck like animals” are not human anymore and indulge in sexuality without intentionality or limits, in total contradiction with the values of the great Humanity, which distinguishes itself from every other species by its acute consciousness of the meaning of sexual act.

The contradiction is profound here: on the one hand, animal behaviour allows and encourages a certain social organisation, by naturalising the domination of abled, white, and male bodies over others (Darwinism, baby!). On the other hand, animal behaviour is considered disgusting and anti-human by definition; that’s why we must move away from it as much as possible to be deemed civilised. Austrian psychoanalyst Wilhelm Reich explains that the entire enterprise of ‘civilisation’ – I’d like to point out the colonial resonances of such a term – aims to separate ourselves from our genitality,4 the ‘lower’ part of the human body (the head and upper body representing the superior and properly human part of our being). According to the philosopher Georges Bataille, sexual prohibitions create an illusion of humanity, which depends on the respect of certain limits and whose transgression will lead to the most obsessive fantasies.5 Philosopher Michel Foucault agrees with that definition when he asserts that human sexuality is “most strongly subject to a law, to a division of the permitted and the forbidden which, obviously, does not exist in the animal world”.6 For Foucault, limit, transgression, perversion, and deviance create sexuality. In 1997, critical race anthropologist Ann Stoler warned us of a literal interpretation of the foucaldian theory of sexuality:

“Indeed, if we adopt Foucault’s formula that ‘sexuality is a dense transfer of power’ charged with ‘instrumentality,’ aren’t we in danger of reproducing in identical terms the colonial discourse, where everything can be reduced to sex? […] As Foucault’s argument suggests, there is strong evidence that colonial discourse was largely determined by the search for a European, bourgeois self-truth accessible through sex, which is not surprising. The problem arises when colonial historiography inadvertently adopts this idea of truth. Researchers specializing in colonial studies have often read European sexual conduct in the colonies through scripts that are themselves colonial. The Freudian idea of a repressed, sublimated, and projected sexual drive is mobilized to explain political projects in instinctual or psychosocial terms. Desire would then be a basic biological instinct, limited and repressed by a civilization that forces us to sublimate it.”7

It matters to recognise the power of that narrative while keeping in mind that this is ‘just a story’, a fiction that attributed the colonised and their descendants an unbridled, violent, repugnant, and therefore animal sexuality, which was also (and obviously) terribly exciting for colonial libido. The confinement of sexuality to reproduction or marriage was then a way of containing a sexuality created to be the distinctive sign of a higher humanity, constituted both by whiteness and non-animality. Even nowadays, when reproduction is no longer the universal imperative of sex, there is a strong disgust towards animal sexuality, necessarily perceived as savage, pointless, and embarrassing. When humans ‘fuck like animals’, they become deviant, they betray something (Karen Barad’s reflection about the ‘natural’ and ‘against nature’ (sexual) behaviour regarding queer existences is very relevant here: “It is indeed human exceptionalism and, in particular, its alleged superiority (defining ourselves as moral agents is one of the ways in which humans claim to be better than beasts) that feeds the moral injunction to refrain from ‘unnatural’ behaviour. There is a price to pay for going against the ‘paths’ of nature and its laws. But if the crime is against Nature itself, against nature in its totality, if the act, in other words, is so extraordinary that it goes against ‘all that is natural’, then it can only be committed by an agent (human and therefore probably aware of their sins) who would be outside it. But wait a moment! If the act is against nature, and if the offender is not part of Nature, since they were said to be outside of it, then none of his acts are ‘in accordance with nature’, nor determined by it; in other words, they are all by definition ‘unnatural’. On the other side of the paradox, the moral injunction attacks beast-like behaviour by labelling it ‘unnatural’: we end up behaving ‘unnaturally’ because we act ‘like nature’.”).8 Recent attempts to connect animal and critical race theory lack a serious study of desire, as Stoler urged us to do ten years ago. As such, a decolonial theory of desire could emerge from the study of the animalized subhuman.9

Lin May Saeed, Blue Nile Relief I, 2011
Styrofoam, acrylic paint, steel, jute, wood
63 x 96 x 20 cm
Courtesy of Lin May Saeed Estate and Jacky Strenz, Frankfurt / Main
© Lin May Saeed Estate
Photo: Wolfgang Günzel

  

The race/species issue in the academia

In France, there is a growing interest in the connections between speciesism and racism, whether in books, podcasts, academic events, or activism. This interest reflects an evolution in our shared understanding of the ethical framework for treating animals but it also reiterates certain issues that need to be addressed before conducting a thorough investigation of the relationship between race and species.

Animal ethics was the academic field that emerged in the late 70’s and formalised universalisable ethical frameworks concerning our relationships with other-than-human animals. Animal studies was instead broader, cutting across disciplines such as ethology and animal psychology.

Daniel Steegmann Mangrané, La Pensée Ferale, 2020
Cibachrome print
110 x 88 cm
Courtesy of the artist and Esther Schipper, Berlin l Paris l Seoul

  

Critical Animal Studies (CAS) is rooted in a more militant understanding of the animal cause, which its voices consider lost in the academic world to animal ethics. CAS claims anarchist, feminist, and anti-racist origins and does not perceive animal abuse as an issue separate from systems of human domination. Moreover, the anarchist, punk, feminist and straight-edge movements of the 1990s formed the activist and anti-speciesist ferment out of which veganism emerged as a subversive, anti-capitalist, and anti-authoritarian practice. Vegan ecofeminism10 is contemporary with all those movements and has increasingly theorised the links between sexism and speciesism: the way women were (and are) treated under patriarchy is interconnected with that of animals. Predation, rape culture, or the way animals and women exist under “the absent referent”, a term coined by Carol Adams – one of the most prominent voices of vegan ecofeminism – to help establish a solid vegan feminist theory.11 Under Western modernity, the adjective ‘animal’ acquired an ontological negativity, contaminating all subjects who have been placed on the wrong side of the human/animal dualism. In the late 1980s, vegan ecofeminism – seeking to engage in politics differently – steadfastly addressed that issue by reclaiming animality and redefining relationships to animals. Drawing on the experience of oppression common to women and animals, but also by harnessing the lessons of care ethics, vegan activists demonstrated that the forms of violence experienced by the two groups were a continuum. They also argued that any feminist struggle must aspire to a profound change in human mentalities, attitudes, and practices towards other-than-human animals. Vegan ecofeminism, just as ecofeminism in general, brought back the emotional discourse in the animal advocacy movement: vegan ecofeminists showed that the fight for animals is always embedded in a loving, empathetical understanding of the world that we share, and not only in logics or reason. This dualism (reason/emotion) was actually responsible for the current ecological catastrophe, therefore a new framework must embrace both, and reclaiming the “loving animals” argument that has been ridiculed by male animal ethicists in the academia,12 was essential.

In France and Europe, vegan ecofeminism has made little inroads (while ecofeminism is progressively spreading those last years);13 the recent translation in French of the founding texts of the Feminists for Animal Rights group (operating from 1983 to 2000) shows just how slow the dissemination of this literature is.14 But even within the original movement of vegan ecofeminism, there has been little intersection with matters of race. My own decolonial and anti-racist posture based on the study and reclaiming of our animality was possible because of, and against, vegan ecofeminism. Finnish researcher Kuura Irni notes that within Carol Adams work (one of the leading figures of the vegan ecofeminist movement), there is no real inquiry into the racial side of animalization. Vegan ecofeminism created a great theoretical base to understand the entanglements of sex, species, and race, but the main intersection that it really explored was the one between sexism and speciesism. However:

Animalisation and dehumanisation have been utilised, among other things, to justify violence against colonised peoples, land seizure, and eugenics, and in this sense drawing boundaries around the notions of ‘human’ and ‘animal’ is a profoundly racialised question (Deckha 2012, 539).15

Lin May Saeed, Free Market, 2007
Cardboard, transparent paper, wood, fluorescent lights
255 x 645 x 60 cm
Courtesy: The Estate of Lin May Saeed and Jacky Strenz, Frankfurt/Main
Copyright: The Estate of Lin May Saeed
Photo: Serge Hasenböhler

  

It’s because the question of race has long been ignored for so long that we cannot argue that vegan ecofeminism is intersectional. Instead, it studied certain intersections, most often between sexism and speciesism, and the ways these two elements feed off each other under patriarchy, through discourses, power apparatuses, violence, and resistance. However, just like Kura Irni argues in her paper, it’s not because a large part of vegan ecofeminism has failed to take on the racial question that we should erase all the work provided by this movement and be forced to start from scratch. On the other hand, because of a poor intellectual background on the question (maybe a disinterest towards vegan ecofeminism or essentialism suspicion?), the recent rediscovery of the relationship between race and species seems to ignore the work of vegan ecofeminists completely and focus excessively on animalisation, fetishisation, and exoticisation, which are, for sure, well-known mechanisms of racism, but defintitely not enough to grasp the depth of the intrication of species and race. Indeed, restricting racism-speciesism to animalisation, or animalisation by racism-speciesism, is circular reasoning. Racialised individuals are animalised, and animalisation is seen as one of the most violent forms of ethical and ontological degradation since the animalised subject automatically becomes a lesser subject. However, even the denigrating gesture of animalisation may sometimes carry a positive connotation (a recent example is the online coining of the “golden retriever boyfriend”16). We need to find a theory that can hold racism and speciesism together, not as similar or even intertwined systems, but as unstable dynamics that allow us to reflect on race and species and the variations of humanity distributed through them – and not as entities per se. Queer theorist Mel Y. Chen proposes to move from speciesism /racism/sexism or any other “ism” to the concept of animacy, in order to break away from the framework of isolated entities (race/class/disability…) and touch on the variations of animated or de-animated subjectivities, building a theory along dynamic lines rather than fixed categories.

“To consider that categories of sexuality are not colorblind – as queer of color scholarship asserts – is to take intersectionality seriously, even when work seems to go far afield into the realm of the animal. Given the insistent racializations of animals, we can then study the tricky, multivalent contours of a communalism that includes both human animals and nonhuman animals, the border between which remains today intense, politically charged, and of material consequence, and run through and through with race, sometimes even in its most extreme manifestations.”17

Using animality as a lens to analyze colonial politics of sex and desire would help us take intersectionality seriously. Animals are not just a metaphor for ‘unbridled’ sexuality: they are sentient, desiring individuals towards whom we should be allowed to feel desire as much as empathy and closeness: such an act would eliminate ‘the human’ as the sole measure of value. However, the first thing that may haunt the mind when thinking of desire and animals is obviously the ghost of zoophilia, historically considered as one of the biggest human perversions.18 Yet etymologically ‘zoophilia’ means the love of animals; ‘zôon’ means both ‘animal’ but also ‘living’ in Greek, while ‘philia’ is love, a sense of camaraderie, and social belonging. In short, there shouldn’t be anything repulsive about these terms. As such, if zoophilia, now translated as ‘love of animals’, has become the greatest taboo of desire, how can we imagine any evolution in our relationships with animals beyond the scope of common violence shared with other minorities? If the ‘philia’ (love) in zoophilia appears repugnant, then how could we invest in ‘eros’? Reclaiming animal(ity) through desire will move us toward a new understanding of race and racism, that vegan ecofeminism, with its focus on emotions, relationality, and biophilia (another name for zoophilia), can carry.

6. Marta Roberti, Self-portrait as Saint Olivia lying on jaguar, 2024
Drawing and collage with graphite and oil pastel from handmade carbon paper on Taiwanese Gampi paper
240 x 190 cm
Courtesy of the artist and z2o Sara Zanin, Rome

  
  • Τhe header is a still from an ongoing video archive of thylacine sightings compiled by Michela de Mattei. The archive features all currently available footage sourced from online communities and regarded as evidence of its existence. The archive will expand as new evidence emerges.
  • The text is illustrated with works from the EMΣT exhibition Why Look at Animals? A Case for the Rights of Non-Human Lives

This paper is partly retrieved from a chapter of my book, Éropolitique: Écoféminismes, desirs et révolution (Paris: Le Passager Clandestin, 2025), which I updated to focus on the articulation of three bodies of literature (Animal Ethics, Animal Studies, and Critical Animal Studies), while retaining the analysis of the connection between race and animality through sex and desire.

The ‘appeal to nature’ fallacy refers to a rhetorical technique that makes something (un)ethical solely based on its (un)naturalness. The issue is not so much about what we call in moral philosophy Hume’s guillotine, i.e the gap between the descriptive (what is) and the normative (what ought to be). Rather, it lies in the uses of the term ‘nature’. In fact, it’s not really clear what we’re referring to when we say that something is ‘natural’. Sometimes we mean ‘biological’, sometimes ‘universal’, sometimes we assume it’s everything that relates to living beings except humans, sometimes ‘nature’ is a distant reality, and most of the time, ‘natural’ is already a moral judgement. In short, the appeal to nature is problematic at every level since it is already based on semantic imprecision.

I understand the word ‘straightening’ as a straightening, a rigidification of a multiple and more fluid reality with less certain contours. The heterosexual regime must thus be seen as an anti-biodiversity project whose aim is to straighten life itself.

Wilhelm Reich (1927), La fonction de l’orgasme, L’arche, 1986 ; Wilhelm Reich (1933), La psychologie de masse du fascisme, Payot, 2001.

Georges Bataiille, L’Erotisme, 1957, Edition de minuit.

Michel Foucault, Sexuality: The 1964 Clermont‑Ferrand and 1969 Vincennes Lectures, edited by Claude‑Olivier Doron; general editor François Ewald; series editor Bernard E. Harcourt; translated by Graham Burchell (New York: Columbia University Press, 2021).

Stoler, Ann. (2010). “Eduquer le désir : Foucault, Freud et les sexualités impériales”. Genre, sexualité et société; issue 3; Spring 2010.

Karen Barad, Frankenstein, la grenouille et l’électron : Les sciences et la performativité queer de la nature (Paris: Asinamali, 2023), 90–91.

Maneesha Deckha, “The subhuman as a cultural agent of violence,” Journal for Critical Animal Studies, 8(3), 2010: 28–51.

It’s always tricky to delimit the dates of movements when they are, by definition, unstable. Vegan ecofeminism may or may not be classified as a CAS movement; however, I choose to include it here, given the immense place it occupies in discussions, notably the opposition it has aroused within CAS (I’m thinking in particular of the tradition of radical feminism that characterizes most vegan ecofeminist writings). Given that the CAS and vegan ecofeminism have a primarily militant history, it’s difficult to detect exactly where their temporal limits are.

“When animals are posed in feminized and sexualized ways, women are the absent referent. When women are shown as pieces of meat, animals are the absent referent. Thus an echo chamber of exploitation is at work, intensifying the oppression of one group of beings by drawing on the oppressions of another’s.” Last retrieved in caroljadams.com (https://caroljadams.com/the-absent-referent).

Donovan, Josephine, and Carol J. Adams. The Feminist Care Tradition in Animal Ethics : A Reader. Columbia University Press, 2007.

Möser, Cornelia. “Ecofeminism as a Traveling Theory. French and German Perspectives.” Social Politics, 2025 ; Durdevic, Goran, and Suzana Marjanic. Ecofeminism on the Edge : Theory and Practice. Emerald Publishing Limited, 2024

Myriam Bahaffou & Tristan Lefort-Martine (eds.), L’écoféminisme en défense des animaux (Paris: Cambourakis, 2024).

Kuura Irni, “Revisiting Ecofeminist Genealogies: Towards Intersectional and Trans-Inclusive Ecofeminism,” in Kadri Aavik, Kuura Irni, Milla-Maria Joki (eds.), Feminist Animal and Multispecies Studies: Critical Perspectives on Food and Eating (Leiden: Brill, 2023), 228.

Recently, and probably in response to all the self-proclaimed ‘alpha males’, the notion of the ‘golden retriever boyfriend’ has appeared online among (feminist?) heterosexual women. It defines a type of masculinity desirable for its loyalty, kindness, empathy, and ingenuity. This model stands in direct opposition to the injunction to aggression and domination carried by alphas. This animalisation is neither humiliating nor pejorative but is an alternative discourse of desirable masculinity.

Mel Y. Chen, Animacies: Biopolitics, Racial Mattering, and Queer Affect (Durham: Duke University Press. 2012).

Homosexuality was, just like zoosexuality, historically condemned and perceived by the Church as equivalent practices and supreme forms of betrayal of humanity. The history of witch-hunting and the repertoire of ‘diabolical’ practices of which they were accused included a huge proportion of ‘crimes’ of sexual nature; for the first time, power (religious and state) legislated on postures and choreography of intercourse, which established the heterosexual married couple as the only choreography suitable for humanity. See Silvia Federici, Caliban and the Witch: Women, the Body, and Primitive Accumulation (Brooklyn: Autonomedia, 2004) and Michel Foucault, L’Histoire de la sexualité (The History of Sexuality), Vols. 1 and 4 (Paris: Gallimard, [1976] 1994 and 2018).

ABOUT THE AUTHOR

Myriam Bahaffou is a scholar and activist; her main field of research is animal ethics in an decolonial ecofeminist perspective. She tries to renew the vision of the ecofeminist movement, insisting on its radicality and showing the originality of its narrations. She is a doctoral student in feminist philosophy (Université de Picardie Jules Verne, Centre Universitaire de Recherches sur l’Action Publique et le Politique – CURAPP, and Unicerity of Ottawa), an ecofeminist activist, an aquaphile fascinated by echinoderms, a joyful antispeciesist and an outspoken eropolitician. Her work takes an intersectional approach to antispeciesism, focusing on the dynamics of animalisation and humanisation of racial minorities. Her book Des Paillettes sur le compost, écoféminismes au quotidien was published by Le passager clandestin in 2022.